Being able to relate to war time was tough, even though we are mere teenagers, we managed to use dominant ideologies of what it might have looked like in Britain.
We also used people such as the elderly to give us a better insight to what it was like, and what it looked like. We managed to see photographic evidence, get information from Lucy's grandma (Plays Dorothy in Timeless Love), and the vast amount of information was from the WII museum in London.
From the information we gathered, we also managed to use creative effects to add in on Final Cut Express. The Misé-en-Scene of the clothing was used to tell the audience that this is based in the WII time, and the black and white was to add on the effect and support alongside the clothing that is was based around WII time.
We had to avoid any contact, and photographic evidence of electrical devices in our filming, it was a NECESSITY to avoid it to give off the effect that it was based around the WII time, where there was hardly any electrical devices.
By Daniel Heighington
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